A powerful new film on what’s wrong with the U.S. media is now being screened around the country. It’s called Shadows of Liberty and you can set up a screening of it as part of an upcoming international week of actions for whistleblowers called Stand Up For Truth. Or you can buy the DVD or catch it on Link TV. (Here in Charlottesville I’ll be speaking at the event, May 19, 7 p.m. at The Bridge.)
Judith Miller is on a rehabilitative book tour; the Washington Post recently reported that a victim of Baltimore police murder broke his own spine; and recently leaked emails from the State Department asked Sony to entertain us into proper war support. The proposed merger of Comcast and Time Warner was just blocked, for now, but the existence of those mega-monopolies in their current form is at the root of the problem, according to Shadows of Liberty.
Allowing for-profit companies to decide what we learn about the world and our government, allowing those companies to consolidate into a tiny cartel controlling the formerly public airwaves, allowing them to be owned by much larger companies that rely on the government for weapons contracts, and allowing them to determine politicians’ access to the public and to bribe politicians with “campaign contributions” — this, in the analysis of Shadows of Liberty, this subservience of public space to private profit is what creates news that misinforms, that takes no interest in the poor, that propagandizes for wars, and that shuts out any journalist who steps out of line.
The film is not primarily analysis, but example. The first example is of Roberta Baskin’s reports for CBS on Nike’s labor abuses in Asia. CBS killed her big story in exchange for Nike paying CBS so much money that CBS agreed to have all of its “journalists” wear Nike logos during their olympics “coverage.”
Another example from CBS in the film is the shooting down of TWA flight 800 by the U.S. Navy, a case of media cowardice and government intimidation, which I wrote about here. As Shadows of Liberty points out, CBS was at the time owned by Westinghouse which had big military contracts. As a for-profit business, there was no question where it would side between one good reporter and the Pentagon. (This is exactly why the owner of the Washington Post shouldn’t be someone with much larger funding flowing in from the CIA.)
The New York Timesseemed impressed by an earlier film devoted entirely to the TWA flight 800 mass-killing. The Times favored a new investigation but lamented the supposed lack of any entity that could credibly perform an investigation. The U.S. government comes off as so untrustworthy in the film that it can’t be trusted to re-investigate itself. So a leading newspaper, whose job it ought to be to investigate the government, feels at a loss for what to do without a government that can credibly and voluntarily perform the media’s own job for it and hold itself accountable. Pathetic. If only Nike were offering to pay the New York Times to investigate the government!
Another example in the bad media highlight reel in Shadows of Liberty is the case of Gary Webb’s reporting on the CIA and crack cocaine, also the subject of a recent movie. Another is, inevitably, the propaganda that launched the 2003 attack on Iraq. I just read an analysis of Judith Miller’s role that blamed her principally for not correcting her “mistakes” when the lies were exposed. I disagree. I blame her principally for publishing claims that were ludicrous at the time and which she never would have published if made by any non-governmental entity or any of 199 of the 200 national governments on earth. Only the U.S. government gets that treatment from its U.S. media partners in crime — and in fact only certain elements within the U.S. government. While Colin Powell lied to the world and much of the world laughed, but the U.S. media bowed down, his son pushed through yet more media consolidation. I agree with the recommendation of Shadows of Liberty to blame the media owners, but that doesn’t subtract any blame from the employees.
To the credit of Shadows of Liberty it includes among the stories it tells some examples of complete media silence. The story of Sibel Edmonds, for example, was totally whited out by the U.S. mega-media, although not abroad. Another example would be Operation Merlin (the CIA’s giving of nuclear plans to Iran), not to mention the extension of Operation Merlin to Iraq. Dan Ellsberg says in the film that a government official will tell the big newspapers to leave a story alone, and the other outlets will “follow the lead of silence.”
The U.S. public airwaves were given to private companies in 1934 with big limits on monopolies later stripped out by Reagan and Clinton and the Congresses that worked with them. The 1996 Telecom Act signed by Clinton created the mega-monopolies that have destroyed local news and already guaranteed his wife a 2016 presidential nomination on the basis of the money she’ll spend on TV ads.
The bad media’s greatest hits are finding a miniature progressive echo-chamber but are not, in fact, isolated cases. Rather they are extreme examples that have taught lessons to countless other “journalists” who have sought to keep their jobs by never stepping out of line in the first place.
The problem with the corporate media is not particular incidents, but how it always reports on everything including the government (which always means well) and wars (there must always be more) and the economy (it must grow and enrich investors) and people (they are helpless and powerless). The particular story lines that do the most damage are not always inherently the worst. Rather, they are those that make it into the general corporate echo-chamber.
The Washington Post sometimes admits exactly what it does wrong but counts on most people never to notice, because such articles will not be repeated and discussed in all the papers and on all the shows.
According to Shadows of Liberty, 40-70% of “news” is based on ideas that come from corporate PR departments. Another good chunk, I suspect, comes from government PR departments. A plurality in the U.S. in the last poll I saw believed Iraq had benefitted from the war on Iraq and was grateful. A Gallup poll of 65 countries at the end of 2013 found the U.S. widely believed the be the greatest threat to peace on earth, but within the U.S., as a glaring result of nothing but ludicrous propaganda, Iran was deemed worthy of that honor.
The Tonight Show regularly asks people if they can name a senator and then if they can name some cartoon character, etc., showing that people know stupid stuff. Ha ha. But that’s how the corporate media shapes people, and clearly the U.S. government doesn’t object enough to do anything about it. If nobody knows your name, they won’t be protesting you anytime soon. And there’s never any need to worry about being reelected.
Shadows of Liberty is long on problem and short on solution, but its value is in exposing people to an understanding of the problem. And the solution offered is just right, as far as it goes. The solution offered is to keep the internet open and use it. I agree. And one of the ways in which we ought to use it is to popularize foreign reporting on the United States that outdoes domestic reporting. If media tends to report well only on nations in which it is not based, and yet it’s all equally accessible online, we need to start finding and reading the media about our country produced in others. In the process, perhaps we can develop some sense of caring what 95% of humanity thinks about this 5%. And in that process perhaps we can weaken nationalism just a bit.
Independent media is the solution proposed, not public media, and not a restoration of the corporate media to its earlier not-quite-so-awful form. The shrinking of newsrooms is to be lamented, of course, but perhaps the recruitment of foreign news rooms and independent bloggers can mitigate that loss in a way that imploring the monopolists to do better won’t achieve. I think that part of the solution is creating better independent media, but part of it is finding, reading, appreciating, and using independent and foreign media. And part of that shift in attitude should be dropping the absurd idea of “objectivity,” understood as point-of-viewlessness. Another part should be redefining our reality to exist without the blessing of the corporate media, so that we can be inspired to build activist movements whether or not they are on corporate TV. This includes, of course, persuading independent media to invest in stories that are ignored by corporations, not just focus on retelling in a better way the stories the corporations tell wrong.
Independent media has long been the most bang we could get for a buck donated to a useful cause. The next year-and-a-half is a real opportunity, because a completely broken U.S. election system expects hundreds of millions of dollars from well-meaning people to be given to candidates to give to the TV networks to whom we gave our airwaves. What if we withheld some of that money and built up our own media and activism structures? And why think of the two (media and activism) as separate? I think the jury is still out on The Intercept as new independent media, but it’s already far superior to the Washington Post.
No independent media will be perfect. I wish Shadows of Liberty didn’t glorify the American revolution to sounds of cannon fire. Later we hear President Reagan calling the Contras “the moral equivalent of our founding fathers” while the film shows dead bodies — as if the American revolution produced none of those. But the point that free press, as theoretically provided by the first amendment, is critical to self-governance is right on. The first step in creating freedom of the press is publicly identifying its absence and the causes.