Sarah Williams Goldhagen is a contributing editor at Architectural Record and served as the Architecture Critic of The New Republic from 2005-2013. Her articles have also appeared in The New York Times, The American Prospect, and Art In America, and she has contributed
Of all the factors that impact our lives in major ways, with ripple effects into all corners of human existence, the question of how we build our built environment receives impressively little attention. We’re far more likely to hear what can be done with sleep, diet, switching to a civilized healthcare system, emphasizing education rather than incarceration, creating a sustainable local economy, or investing in trains instead of wars. OK, you won’t hear much about that last one, but
A new large photo book has just been published called Un-American: The Incarceration of Japanese Americans During World War II.
People who support creating a Muslim registry should take a look. Here are the victims before, in their small farms and their LA mansions. Here they are being forcibly removed. Here they are incarcerated. Here is what was done to their homes in their absence. Here they are in the camps, prisoners for nothing, and after their release.
To this day, no proof has ever been
Sonia Kennebeck is director and producer of National Bird, an amazing new documentary about drones. Kennebeck is an independent documentary
Snowden is the most entertaining, informing, and important film you are likely to see this year.
It’s the true story of an awakening. It traces the path of Edward Snowden’s career in the U.S. military, the CIA, the NSA, and at various contractors thereof. It also traces the path of Edward Snowden’s agonizingly slow awakening to the possibility that the U.S. government might sometimes be wrong, corrupt, or criminal. And of course the film takes us through Snowden’s courageous
Charlottesville is a diverse, enlightened, and progressive college town in Virginia with its public spaces dominated by war memorials, in particular memorials to Confederate soldiers not from Charlottesville who represent a five-year moment in the centuries of this place’s history, as viewed by one wealthy white male racist donor at another moment in the 1920s. As the Black Lives Matter movement took off nationally this year, many Charlottesville residents demanded that imposing monuments
A note from David Swanson:
You may have seen this article I wrote recently on ongoing U.S. use of depleted uranium weapons. It’s on dozens of websites, including my own WarIsACrime, but also Al Jazeera, Truthout, Counterpunch, FireDogLake, OpEdNews, Washington’s Blog, Z, and many others.
Guess what I got paid, in total, from all of those outlets? —–>>>
But I can pay the bills and keep working for peace if you help
Employees of the U.S. government refer to people they murder as “bugsplat.” They pretend that the men, women, and children they are killing with drones are just bugs, because they just look like little fuzzy creatures on a computer screen. Thank goodness for the artists who have put a giant portrait of a child in a field for the drone murderers to see and think about. Maybe the rest of us could think about it, and do more than think about it, too.
In Davidson, North Carolina,
Young authors of fiction from Gaza, some of whom say they are finding Palestine on the internet while unable to see it exist in reality, have just published a collection of stories, written in English, marking the five-year anniversary of the 23 days from December 27, 2008, until Obama’s inauguration, during which Israel bombed the people of Gaza far more heavily than usual. They’re publishing a new excerpt of the book each of these 23
Robert Shetterly is a painter who is producing a collection of portraits (currently 190 of them) of “Americans Who Tell the Truth.” He discusses the selection of subjects, and the reception the collection has been receiving around the country, the educational and activism possibilities. For more see http://americanswhotellthetruth.org
Total run time: 29:00